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This is not your father’s uplifting wishy-washy Biblical legend. This is a violent, sunless, and sometimes depressing account that is quite a change from many religious films.
Based on a unique, this film imagines what happened to Barabbas after he was chosen over Jesus to be released before crucifixion. Anthony Quinn is a perfect choice as the unrepentant thief who goes benefit to the world he knows- crime and carousing. His celebrated prostitute Rachel, however, has become a Christian and is later stoned for it. Barabbas is not impartial an observer, he sees Jesus go to the crucifixion, and later finds Rachel at the launch grave. Barabbas goes assist to his stale gang of thieves, murders the unusual leaders, and they grasp some Jewish clerics. Caught, he is sent to the sulfur mines for life, where he meets Christian Sahak, played by Vittorio Gassman. Sahak knows Barabbas’ name and reputation, and attacks him. They eventually become friends, since they are shackled together in the pit. Barabbas survives in the mine for twenty years, refusing to die. He is tormented by the memory of his reach death years before, and he sees the sacrifice Jesus made not unprejudiced for him, but for all of us.
Barabbas and Sahak survive a cave-in at the mine, and are taken to Rome as helpful luck charms by a newly appointed senator’s wife. They are recruited to fight in the coliseum, ruled by a maniacal gladiator played by a very young Jack Palance. The duo also form contact with a Christian servant, Ernest Borgnine in a diminutive but friendly role. Eventually, Sahak dies for his beliefs at the hands of Palance, and Barabbas has his bloody revenge on the field. Granted his freedom, Barabbas takes Sahak’s body to a group of Christians, who reject Barabbas’ half hearted attempts at Christianity. Barabbas misunderstands God’s word and helps in the torching of Rome, eventually ending up a martyr himself.
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Just under two and a half hours, there are a few tedious spots. The cast is fine, however, and Fleischer does an impressive job with a cast of thousands. No CGI to rely on here, Fleischer uses his assorted space pieces to their fullest extent without trying to fix or better anything in editing. What is left are a series of scenes that can stand on their have as highlights in early 1960’s film making, when the cinema was hotly competing with television to derive viewers relieve. The stoning of Rachel, the sulfur mine collapse, the burning of Rome: all are unforgettable scenes.
Two stretches of the film are very memorable. First, an extended sequence between Palance and Quinn fighting in the coliseum. There is no dialogue, unprejudiced brutal violence and action. Another scene is the final tracking shot of dozens of crucified Christians, including the now ironic Barabbas. This shot sent chills down my spine.
This film is very dusky and very different. Barabbas is a man torn between his heathen upbringing, and what he knows is proper through what he has witnessed in Jerusalem and Rome, no matter how noteworthy he denies what he has seen.
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Produced by Dino DeLaurentiis in Italy, this film has a European feel that makes it different and lends a definite credibility to the proceedings. The Oscar heavy cast does not topple victim to any preachy speeches or effects laden miracles, these are seemingly ordinary people caught up in tumultuous times. I highly recommend “Barabbas” to any film fan, especially those who mediate “Gladiator” is the only decent sword and sandals chronicle out there.
Although not rated, this does absorb strong physical violence, some sexual violence, gore, and some adult situations.
I’ve often wished for a widescreen edition of Barabbas and now here it is. I became enraged several months ago when I saw this edition was to be relased on DVD. So here I am on March 5th ordering my copy. I gain the VHS version which distracts from the reliable photogarphy. There are some valuable things to know about the production of this film: the crucifixion sequece was filmed during an exact eclipse, a one shot scene. The sets were constructed three dimnesional so the streets of Jerusalem and Rome appear exact. Anthony Quinn was a perfect choice for Barabbas. If you’ve read the book this film will provide a quality visual to the magnificent, simple telling of a man’s life, the man who was spared crucifixion and free’d instead of our Lord. Also if you’ve read the book you’ll know what Barabbas is thinking most of the time. Quinn is suitable, his eyes ever roaming in belief of survival. This is a grand movie shot in a down to earth realistic design. A comely discover in seeking truth, arriving on it’s doorstep only to turn away. Because of the book, when Baabbas is helping dwelling fire to Rome, I am aware of how truly emotional this last scene in the film is. (I hope am not giving anything procedure in the film) . Barabbas finally makes an inaugurate commitment, acting out on a conception system that he’s denied since Christ’s crucifixion, only to inspect in the destroy it was Nero who station fire to Rome and not the Christians. It’s really all there. The muscal win is unsual and current. I have the feeble mono 33 1/2 rpm version which gives musical examples at the raze of how Mario Nascimbene wrote and orchastrated the incedibe collect. Sadly enough this ragged recording is far supeior to the current CD affirm which edited cuts and left out the 5 shrimp + prologue. I rate this movie 5 stars. If you like the feeble spectaculars this one is new and should be in your library.
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